Recently we tracked down a stunning example of an Egli Vincent and, for your author, there was a special treat in store.
In Part I of the Egli Trident project, we touched upon the exclusivity of the original Egli Vincent motorcycles and the growing market for replicas and tributes to the brand. Similar to the prevalence of reproduced Norton Featherbed frames, as used on the Motor Shed Triton, Egli frames are being produced by specialist, and some not so special, frame manufactures around the world, such as Colin Taylor who fits firmly into the former group and is building the frame for my Trident. This is just as well because Mr Fritz Egli is no longer producing Vincent-powered motorcycles. Egli has chased the horsepower and has found the Yamaha 1300 engine ideal for his current creations.
Until recently, I had never laid my eyes on an actual Egli Vincent motorcycle, or any Egli machine for that matter so I reached out to John Lagdon, an acquaintance who I knew only through mutual friends. We set up a meeting to allow me to view John’s Egli and spend some time learning more about the Egli setup. In the back of my mind I was secretly hoping John would permit me to sit on the motorcycle to make sure my 6’ 3” body wasn’t too tall for such a bike. My Triton is a bit of a stretch so I’ve been hoping the Egli might be a little more forgiving, although it’s probably moot as by this stage my frame has been paid for, manufactured and electroplated.
Arriving at John’s house, I was met by a tall, lanky man of about the same height and build as me. Instant relief. We walked through the house out to the garage and there it was: the Egli was sitting at the edge of the garage, gleaming in the mottled sun, the big engine hanging bellow a polished aluminium fuel tank, it is indeed a thing of beauty, but it hasn’t always been like this.
John Lagdn’s Egli Vincent is indeed a thing of beauty. Photograph by John Lagdon.
John found his Vincent in a motorcycle dealership in Cincinnati, Ohio, in around 1985. It was part of a collection of racing machines Domiracer Motorcycles obtained from former racer Ed LaBelle. LaBelle was a three time Canadian road race champion and an accomplished drag racer and it was from the drag racing stock that John secured the beginnings of his project. Evidently the bike was a survivor from the heady days of US/Canadian 1960s drag racing. The engine cases still bear the scars of a drop too much methanol, which I feel add to the history and mystique of the bike, although one can share the heartache of the thrown primary drive chain as it smashed its way out of its enclosure all those years ago.
John discovered the ex Ed LaBelle Vincent drag bike at Domiracer Motorcycles in Cincinnati, Ohio. Photograph by John Lagdon.
It would take a move from the UK to Australia and some 19 years before John got to license his Egli Vincent. There is insufficient space here to go into the trials and tribulations John went through in getting his bike from a project to a functional motorcycle. A lot of the grief suffered by John started even before his frame arrived in Australia. It took an extraordinary long time to complete the frame culminating in John having to, let’s say, get persuasive with the builder. When the frame eventually arrived it was out of true and the nickel plating well below par. A defining feature of an Egli build is a nickel plated frame so I can appreciate his frustrations at something less than perfect. Nevertheless, through determination and perseverance John’s creation was born and the La Belle engine was given a new lease of life on the roads of Perth, Western Australia. Aside from the engine, very little of La Belle’s bike was used in the build, but that’s the thing – there is very little to an Egli Vincent. It’s all engine, a big, stonking, lump of alloy and power that takes that takes centre stage. In a classic case of ‘less is more’ the Egli boasts simplicity and function.
A rare photograph of Ed LaBelle astride his Vincent racer. Photograph supplied by John Lagdon.
Egli motorcycles have a large diameter steel tube that runs from the head-stock to the seat base. The engine hangs from that tube, secured at the top of each head and at the point where the swing-arm pivots, the combine effect being the engine adds to the rigidity of the design in what is termed a ‘stressed member.’ It is simple, functional and highly effective. In another tilt to functionality, the main tube doubles as an oil tank.
The engine on the Trident will sit slightly in front of the swing-arm pivot, secured in place by plates that bolt to both frame and engine. Colin explains, “the Egli-Tri swing-arm is different because of the way it picks-up on plates where, as you rightly say, with the Vincent, it mimics the standard Irving designed location plate which sits between the G1 kicker cover and the drive exit of the engine on the right-hand side of the engine and the boss on the back of the Vinnie’s crankcase. Another one of the significant differences being that the triple’s swing-arm is fabricated from round tubes, where the Eg-Vin ones are made from round pivot tube (mimicking the standard Vin’s design) with flat-sided oval tube legs.” Lesson over, back to John’s bike.
John was happy for me to try the bike out for size and, must have been satisfied I knew my way around a motorcycle because he said “Do you want to take it for a ride?” This is the kind of invitation that rarely comes around and despite not having any protective gear it was not one I was going to decline. As cool as a cucumber I said, “Yeah, sure.” Deep inside I was feeling equal parts happy dance and a gut-churning anxiety. My anxiousness was made worse when John said, “Please don’t drop it.” I hadn’t even thought about that! Crikey, this bloke hardly knows me and he’s letting me loose on his Egli Vincent.
John’s Egli Vincent under construction in Perth, Western Australia. Photograph by John Lagdon.
My Egli Trident under construction in Norway. Note the signature 12 cm tube that acts as a backbone on both machines. Fristz Egli’s frame was introduced in 1967 and is still being produced to this day. Photograph by Colin Taylor.
The beast was fired up. Not one for mufflers, John clearly loves the sound of his Vincent. The straight through pipes resemble mufflers, but, don’t be fooled, they don’t muffle a thing. The bark bounced of all the walls in the laneway of what must be a very tolerant neighbourhood.
With a reasonably complicated start-up procedure, the last thing I wanted to do was stall the engine or otherwise let it stop so I idled down the lane blipping the throttle. Enjoying the bark and finding my way around the bike. Once I was satisfied everything was there, brakes, gears, throttle – that sort of thing – I ventured onto the road, and travelled straight across it, oops that turning circle is a bit wide. I paddled the bike backwards and then had another go at riding off.
The heart of the beast, the Vincent 50 degree V-Twin engine was the fastest thing money could buy when introduced in 1946. Photograph by John Lagdon.
This time I sort of got going. The gear change, although still on the right side, was directly opposite in movement from my Triumphs so I muffed the first few changes and forward progress was stilted for the first couple intersections until I got the hang of things. Interestingly, Vincents have a gear indicator on the side of the gearbox but I wasn’t about to look down to see what gear I was in, my eyes were planted firmly on the road ahead.
Some say Vincent engines only fire at every second lamp-post but this thing hammered. In the few brief opportunities I had to let the Vincent off the leash I got it, I understood the magic. It pulled hard and gave me a glimpse into the world of the Vincent. I would have loved to explore the upper limits of the engine but not as long as it belongs to someone else, additionally suburbia intervened and I was frequently calling on the massive front, 8 leading shoe arrangement to slow the beast. The rear brake had been lifted from a BSA and was the same as the one on my Triton so I was aware that was pretty useless. But, I’m happy to report, didn’t crash or drop the bike.
Idling back into John’s laneway I felt relief at having successfully navigated a few suburban streets on the most valuable motorcycle I had ever ridden. The bike was comfortable enough and nimble beyond the bulky appearance, sufficient to let me know I had made a good choice in opting for an Egli setup for the Trident. It was also sufficient to let me know I must one day build an Egli Vincent.
The author about to experience a special treat – my first ride on an Egli Vincent.
Taking up from where we put the torch down, the Mustang had panel after panel peeled off until it has hardly recognisable. The floor was the first to go with the new single piece, front and rear, going in.
A ‘new’ floor is exactly that. Pressed from a single sheet of metal in Thailand, Mexico or Canada, most of the panels that went into the Mustang were manufactured by Dynacorn. It is actually possible to purchase a whole body from Dynacorn. Sadly, that won’t work in Australia as, apart from needing a fat cheque-book, any car built using a new body would have to pass as a current model with all the emission restrictions and safety requirements that would bring before it could be registered, unless, of course, you had a sacrificial chassis number with import approval etc. I’m sure that happens, but not in my case, my car is a piece of Aussie motoring history and I needed to retain as much of it as possible.
To remove the floor large portions of metal had to be cut out and tossed on the scrap heap. With the large portions removed the spot-welds can be accessed and burnt off without destroying (too much of) the metal beneath: that is, the portion we want to keep. Spot welds can be drilled out but on something as large as the floor there are dozens of the bloody things so drilling would have been labour intensive, nope, better just to blow it away.
That’s a major portion of the car missing right there. Note the bracing. Without this the car would probably have collapsed.
With the metal all cleaned up, it was time to fit the new floor. Recall the body is securely braced so she won’t suffer any structural movement between the old floor being cut off and the new one going in. Further to this, we had thoroughly measured the whole body, back to front, up and down, inside and out, and recorded the measurements in both a book and on the metal.
With the floor roughly in place, it was time to pummel it with tek-screws. Joe kept belting them through my precious-metal like there was no tomorrow, the underside of the car looked like a bloody porcupine! I would later come to love the simplicity of holding everything in place with the humble tek-screw, a marvellous invention.
We’re jumping ahead here but those two stubby chassis rails would later be connected to the rear pair, with two pieces of metal pressed for the purpose, adding immensely to the torsional rigidity of the body. Something Ford should have done when they built the car.
The brand new floor waiting to go in.
The new floor went in quite easily, tricking me into thinking all the new panels would similarly go together.
The new floor is held in place by tek-screws ahead of welding.
Conveniently, there was another, recently painted 1965 Mustang in Joe’s workshop waiting to be refitted. It was in a separate shed and many was the time I traipsed across to the other shed, tape measure and notebook in hand, to measure and record the dimensions of the ‘65 couple, which is essentially the same body as my ‘66.
I used to look at the finished ’65 and marvel at the lush silver paintwork dreaming of the day mine would look that good again. In time it would, but we had a lot of work ahead of us.
Always have access to another car for reference purposes.
What we’ve learnt
- Said before and repeated here, brace the car!
- Measure, remeasure and measure again.
- One cannot make too many recordings of the body dimensions.
- Tek-screws are your friend.
- Finally, have another, intact, car nearby for reference purposes.
The Norton Commando emerges from the shed, liberated at last.
As a motorcycle journeyman I have, for most of my, life been chasing maximum power from my machines, I still vividly remember the first time I cracked 100 horsepower. It was the year 2000 and my new Triumph Sprint, which was in fact a 1999 model, produced 107 horses. It was unbelievably powerful and, had I not been so responsible (LOL), I could have wound up in all sorts of trouble on that bike with its top speed of 220 km/h. Some time later, in 2010, my Triumph 1050 Sprint produced a whopping 120 horsepower, and on it goes. So, it came as a surprise to me, and the great mirth to my motorcycle riding buddies, when I purchased my 2015 Norton Commando, and in the process, dropping back to 79 horsepower.
A stunning looking machine but not great out of the box.
So how can losing all that power be even remotely exciting I hear you ask. I must say, I asked myself the same question many times as I contemplated purchasing the Norton. At the end of the day sheer good looks and nostalgia won out but, as I sit here typing this, still feeling the buzz of 250 spirited kilometres on my Norton I can honestly say the way that bike delivers the goods is thoroughly exhilarating. Mind you, it hasn’t always been that good. In the 12 months I’ve owned by Norton, I’ve taken it from a choke-up, lack-lustre performance void to something akin to naked aggression, let me explain.
One of the most famous names in all motorcycledom.
When I finally hit the road on my Norton the engine had less than 100 kilometres on. It had, for about two years, been used for display purposes only. Firstly, in the dealership then in the first owner’s lounge-room and, as far as I can tell, was only ever started for amusement purposes. The first few rides I had left me with a kind of sinking dread. The bike surged and misfired at anything under 3,000 rpm and wasn’t so good above that range either. Put simply, it was horrible.
With no distributor on the West Coast, or, at that time, anywhere in Australia, I had to rely entirely upon my own skills to tune and fettle the engine. I turned to the only place one can in times like these – the internet. By modern-day standards the Norton is a fairly basic, push-rod, parallel twin cylinder engine. The major complication is fuel injection and the associated computer hardware and software. Even as I write this piece, with the bike running beautifully, I can’t help but pine for good-old carburettors.
The more I researched running problems associated with the new Norton twins the deeper the quagmire of responses grew. I managed to slough the fiction from the fact and quickly learned who knew what they were talking about, and who didn’t, in my favoured forums and sites for technical assistance. What I found early was the scourge of the European Emission Standards. Essentially, the Norton engine pretty much resembles that which rolled out of Birmingham in the form of the 500cc Norton Dominator in 1949, albeit with modern-day construction and materials. The Domi engine grew through various stages of 650, 750 and, finally, 850 cubic centimetres before the Commando was retired in 1977. Of course Norton and the famous Commando name has been revitalised in the modern machine I now own. How we got to this machine being re-released is a long story and one we shall revisit soon, but, for now, it is the modern incarnation we’re concerned with.
Even the name sounds cool to this long time devotee.
To get the bike through the Euro emissions Norton fit fuel injection and keep the smog to acceptable levels. Acceptable levels these days is generally where the air coming out of the exhaust is cleaner that that which goes into the engine! Remember this has a seventy-year heritage, it is like handing grandpa an iPhone. The get the grand old design to perform I replaced the coils, spark plug leads, spark plugs, cam position sensor and cleaned the fuel circuit of the detritus that was once petrol. I may have broken a few Euro standards but, heck, we’re not in Europe!
With each change the bike made incremental improvements, but nothing startling and nothing to help ease the knot in the pit of my stomach that was screaming out ‘what have you done?’
It became obvious I would eventually have to hand over my bike to someone versed in the twin arts of fuel system management and computer science. To me fuel circuit mapping is the proclivity of NASA boffins but unfortunately, it’s something we live with every time we start an engine that has been manufactured this century. We don’t have NASA in Australia, cripes, at that time we didn’t even have Norton in Australia. The only solution was for me to travel to Norton with my ECU in one hand credit card in the other. That’s Norton in the UK, a heck of a long way from Western Australia.
Donington Hall, hallowed ground nestled between Donington Castle and Donington race circuit.
We’ll see about that!
It was my intention to collect two sports mufflers from Norton and have the ECU mapped to suit, I wasn’t to be disappointed. Pretty soon after walking into Norton headquarters my bubble-wrapped mufflers were handed to me, ready to be stowed in my suitcase ahead of our flight home. The combine weight of the two sparkling new, stainless mufflers was less than 5 kg (which enable me to also pack a new barrel and pistons for one of my other bikes). My ECU was remapped whilst my wife and I sat in the waiting room with a Norton used in a recent James Bond movie as company.
Nortons are no longer assembled in dank, drafty sheds in Birmingham. The new facility is something akin to Downton Abby. Outside Donington Hall looks like a manor house, inside it is a modern, slick operation that reassures me the future of Norton is in good hands. Donington Hall is wedged on a parcel of land between Donington Racing Circuit and Castle Donington, a small town of about 6,000 inhabitants in Leicestershire, England. So plush is the facility, Norton CEO Stuart Garner actually lives there. Stuart’s Aston Martin, bearing the numberplate NOR7ON (sic), sits immediately outside his apartment. Until recently, Aussie Road Racing star Davo Johnson also lived there.
After collection my mufflers and newly flashed ECU, my wife and I went on a tour of the factory, whilst it was in full swing. Workers were pouring over partially assembled 961 twins – of which there were just three on the production line. The machines were exactly the same as mine yet I still felt a pang of envy of the new owners, such is the allure of the Norton.
In keeping with the original style of the Commando, the designers have reached a pleasing symmetry between engine and frame. The frame is slim and the engine tall which, essentially makes the bike feel large. At 6’ 3” the bike fits me perfectly and my feet are easily planted on the ground but shorter people might not feel so comfortable, however, any thoughts of comfort would likely be lost when the big twin is spun into life.
Talking of spinning, 270 degrees is the new black in engine layout. Triumph have been doing it for a while, the new Royal Enfield 650 will have it and Yamaha have known it for decades in their 850 parallel twins. Manufactures have come to understand the value in firing a twin at 270 and 450 degrees, emulating the characteristics of a Ducati L twin, namely a much smoother and more useful spread of power than the previous 360-degree firing order the British twins are known for, it just needs to be freed up, electronically in the ECU and physically in the exhaust. Fuel in, waste out, simple. Well eventually.
Back home and the stubby Norton sports mufflers are on. They take some getting used to but the sound is oh so sweet.
When I got home, I plugged my ECU back in, fitted the new mufflers and hit the starter. Bang, she’s alive, rorty and responsive. The ride was a revelation, a great improvement over previous sorties. The great lump of almost 1000 cc in a parallel twin is usable, sounds awesome and doesn’t shake me to pieces, not quite. The Norton has a balance shaft but it still vibrates and vibrations might not be everyone’s cup of Early Grey. If you love a silky-smooth, multi cylinder bike you’ll probably not enjoy the Norton. I like to know there’s a big engine propelling me forward and the Norton delivers that feeling in spades. I love it.
One thing I’m not so fond of is the five-speed gearbox. The box feels solid and changes with all the precision of a rifle bolt, but, out on the road in top gear, I find I’m frequently looking for another cog. It’s early days for me and the Norton but I do wonder, in this day and age where six speeds are the norm, why Norton has stuck with a five-speed transmission.
The new mufflers have been a very good investment. Combined with the re-mapped ECU, the engine now runs smooth and clean. The jerkiness of the overly lean ECU is gone, as is the strangled sound previously emitted from the large pea-shooter style, stock mufflers, although, if I have one criticism, I’m not sure why the pea-shooter could not be replicated in the sports muffler, instead of the stubby tubes the factory produces. That aside, the sound coming from those stubby tubes is sublime. On over-run the pipes emit a deep baritone burble and it sounds amazing, it’s enough to have me pegging the bike just to hear the bellow and growls the big twin makes, I know, I sound like a teenager.
All in all, I’m well pleased with the bike as it is now. It’s taken a bit to get it to this stage and one might well ask if it’s worth it when I could have purchased a new 1200 Bonneville and saved bucket loads of money. With each new ride the value of the machine is making itself felt. Recently I was out riding with some friends and I found I was pushing the Norton up into revs and speeds that I had previously stayed away from, as much for some perceived fragility as anything else, but the harder the bike is pushed the more she shines. After two days of spirited riding I tucked the Norton back in the shed with a self-satisfied grin that has been a long time in the making.
Yep, she may have little more than 80 horsepower but I reckon they must be Clydesdales!
With the Norton at last running fast and free I’m well pleased with the performance, albeit with a scant 80 horsepower. Check out that grin!
Those keen of eye may have noticed frequent references in various Motor Shed discourse about our ’56, 650 Triumph Thunderbird. The bike certainly comes in for a mention in Rebuilding the Ariel so we thought it was time to string some excerpts together from the book to keep the Triumph fans out there happy.
The star of Rebuilding the Ariel is, of course, an Ariel motorcycle. It is another one of my father’s former bikes purchased out of Tasmania in 1989 because Dad had one when he was 17 and felt like revisiting his youth again at the age of 55. Despite the Ariel being both a capable and desirable motorcycle during my father’s youth, what Dad truly longed for was a Triumph Thunderbird. With its larger 650 cc twin cylinder engine, the Thunderbird was known as a true superbike of the era, capable of 100 miles per hour.
This photograph was taken in 2010, after about 12 years ownership. The bike still scrubbed up okay but oil easily found its liberty and rust was forming on the barrels.
Dad finally managed to secure a Thunderbird a few years after the Ariel. It was a particularly nice example of a 1956 machine. The motorcycle is fitted with an English SU carburettor and finished in all-over silver, including the frame, which I was told indicates it was an export destined for Australia but I have since discovered that to be a myth. There are a few other myths about Thunderbirds that should be cleared up, or at least introduced here.
The original Thunderbird, if indeed there can be such a thing, was not a motorcycle, nor was it a Ford convertible, it was a creature from within the culture of the indigenous people of North America, a mythical giant bird that was able to cause the sound of thunder by flapping its wings together. It combined the freedom of being able to take to the air with power and grace, yet possessed supernatural powers that commanded respect and adoration.
Of course the name Thunderbird did not derive until after colonisation whereupon an English translation was put to the creature that was said to carry glowing snakes that were speared into the ground as lightning bolts. Adding to the mythology, the Thunderbird was said to be intelligent, wrathful and powerful, not to be trifled with and generally avoided at all costs.
The Triumph Thunderbird is none of these things, but, it is one very cool motorcycle.
My stepson is constantly amazed when we’re about and about on our bikes. People go out of their way to take a look at the Thunderbird and make all sorts of comments about how nice the bike is. Some recount stories of daring feats committed on Triumphs, whilst others ask if they may photograph the bike. At 19 years of age, James was slightly perplexed by all the attention the old bike gathered. He saw a motorcycle that was difficult to start, is not all that fast, doesn’t particularly corner well, has poor brakes and leaks oil.
She did, and still does, leak oil. Despite what was apparently a fine restoration, the Thunderbird regularly needed some tweaking to keep it in order, not the least of which was the odd dribble of oil. Anyone who has ever owned an old British bike, and a good many folk who haven’t, will testify to their capacity to spill their guts from orifices designed to contain lubricant rather than give it liberty. The Ariel was particularly bad for this. For the first decade of its time with us, the bike stayed in Dad’s shed on the farm. The occasional ride would coat the bike in dust thrown up by the long gravel driveway. Dust and oil are not good bed-fellows, they are in fact the enemy of concourse. Whenever I visited the farm I would usually get straight into some motorcycle maintenance, either with or without the Zen (long story – literally). Maintenance always started with a good degrease to get rid of all the oil and built up gravel dust.
The dirty bird.
Under the dust and grime lived a very nice example of Triumph’s flagship superbike for the fifties. The Thunderbird had been lovingly restored by a member of the Vintage Motorcycle Club in Perth. At the time the bike was restored I was in fact a member of that club but there was over 450 members so I was unable to place him. Sadly, the gentleman who restored the bike never got to fully enjoy it as he passed away soon after completing the restoration, receiving “the big chequered flag in the sky,” as the club used to so eloquently put it whenever they lost a member.
The bike was subsequently acquired by an ex-patriot Englishman who very soon thereafter decided he would migrate back to the Old Country. He loaded all his goods and chattels into a container and shipped it all back to the UK. He then gathered up his family and, similarly, shipped them all off ‘home.’ Evidently things didn’t go as well as expected. Upon arriving in England, the gentleman decided things weren’t that bad in Australia after-all and resolved to return. They actually left the UK before the container arrived, and returned to Perth. It took another two years before the container was turned around and arrived back in Western Australia, whereupon the Thunderbird was removed and promptly sold – to Dad.
I acquired the bike in 2009 when Dad’s hips and knees prevented him from starting and riding it. I rode the bike frequently for another eight years by which time it was starting to look a bit shabby and still leaked oil everywhere. I never did like the silver on silver so, in 2017 I resolved to give the machine a freshen up, a makeover if you like. Like many things that come into my garage, a simple makeover quickly turned into a full nut and bolt restoration.
More about that later, but here’s a sneak preview…
A silver tank and guards on a silver frame didn’t really agree with me so, in 2017, I pulled the bike down to freshen up the engine and re-do all the paint.
The strip-down begins.
Triumph introduced their 500 cc twin cylinder engine to the world in 1937. In 1949 the Speed Twin engine was punched out to 650 cc and the Thunderbird was born. This is what my Thunderbird engine looked like when stripped to the last nut and bolt.
Parts ready to be sent for a coat of lush, gloss black paint.
This 650 cc parallel twin engine is such an icon it could almost be put on a plinth within the Guggenheim Museum.
The effort starts to pay off when the bike begins to be reassembled.